But hereвЂ™s the important thing: If you donвЂ™t assign the channel to a bus, youвЂ™ll never hear it. You can then use the pan control to position the sound from left to right. See that red button labeled вЂњSTвЂќ? When pressed, it assigns (connects) the input channel to the L/R stereo bus and master fader. The simplest mixers have only a left/right stereo bus which eventually makes its way to the speakers. On a mixing board, a bus takes a group of audio signals to the same place. And like public transportation, you get on a bus with other people and everyone rides as a group to the same destination.

When you want to travel to a specific place, you need to get on the right bus - like going to work. They also provide the ability to route signals to additional devices so that you can record or send audio to multiple locations.ДЄs an example of the way grouping is implemented, Yamaha mixers such as the MGP12XВ have a feature called вЂњBus Assign.вЂќ This consists of three small buttons labeled вЂњST,вЂќ вЂњ1-2вЂќ and вЂњ3-4вЂќ located next to each channel fader, as shown below: MGP12X Bus Assign section.ДЄs described in our Tools of the Trade blog posting about aux sends and returns, a bus is an audio path that takes a signal from point A to point B. Groups (sometimes called вЂњsubgroupsвЂќ) are a great way to organize your mixes and make them easier to manage. What do they do? In this article, weвЂ™ll provide you the answer and explore this important tool for mixing live sound. But many times there are also two, four or more faders near the master fader, sometimes colored differently. In addition to these individual c hannel faders, thereвЂ™s also always a master faderВ (typically located to the right of the channel faders) that enables you to alter the overall mix volume at a touch. TheyвЂ™re usually colored white or yellow so they contrast with the darker color of the board itself, making them easy to see in the low-light conditions of clubs, churches and other venues. Rear panel connections include a USB Type B port for computer connection, 12V 2A DC power input, and two 5v 0.5A USB outlets for external LED lighting.Every mixing console provides a number of faders that allow you to change the level of incoming signals on the fly. This compact controller weighs only 4.5lb and can be fitted with rack ears to mount into a 19-inch 7U rack space. Additionally, common LV1 functions and modes can be controlled from the UTILITY section вЂ“ Rotary mode selector, Save Session, Load Next Scene, Load Previous Scene, Store Scene, ALT/CTRL, and custom toggle. The FIT controller also provides audio engineers with a Tap Tempo pad and a вЂњTouch & TurnвЂќ knob for controlling any parameter selected on the eMotion LV1 screen.

In addition, the 16 Select channel toggles can be set to вЂњUSERвЂќ mode to provide easy access to Mute Groups and user-assignable keys. The channel rotary controls can be set to adjust preamp gain or pan per channel with the corresponding function label shown in the display. Fader banks are controlled using eight dedicated layer switches for toggling between the eight factory or custom layers in the Waves eMotion LV1 Live Mixer.

This is made possible with 16 + 1 motorized 100mm faders, each featuring Mute, Solo, and Select buttons, a multi-function rotary control and a bright display for each channel. Waves FIT is designed to function as a fully-integrated 16-fader bank with the LV1 mixer. Carefully engineered by Waves and expert MIDI controller manufacturers MIDIPLUS, FIT is the ultimate hands-on control unit for the eMotion LV1 Live Mixer. FIT is an intuitive control surface that delivers quick and efficient operation of the eMotion LV1 mixer to live sound engineers who prefer tactile response of faders, knobs and buttons for console operations.

What is a fader on a mixer